The Queen’s Ball — A Dream

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“The Queen’s Denouement Ball” — C.Birde, 1/17

All in the Queen’s retinue are clad in silks and satins. Gowns shimmer like sunlit water, in every color imaginable. But none shine so brightly as the young Queen herself. Dressed in white satin gown, she is the sun, the source of all colors cascading out from around her. It is the Queen’s Denouement Ball.

Clustered about their Queen, the women dip their heads and whisper to each other behind painted fans. Pearls adorn graceful necks. Feathered plumes bob in complicated headdresses. We stand in an antechamber just outside the grand ballroom. Peering past the Queen and her other women, I see the farther stone wall is covered in large, colorful tapestries. Chandeliers cast welcome candlelight, and music emanates softly. A parquet floor unifies the two rooms.

The Ball is about to begin. The women fuss over the Queen as they prepare to enter, smooth her skirts, her glossy, dark hair. The Queen’s guard stand to either side of her and, to my surprise, these well-muscled and whiskered men are dressed in satin gowns, as well – one in pale blue, the other in pink. Neither seems the least bit distressed or uncomfortable. The Denouement Ball is, after all, a strictly female function, and they must dress the costumed part to fulfill their obligation as protectors to the Queen.

Of all the attendants, I alone am woefully underdressed. Wearing jeans and black t-shirt, I feel coarse, common. I keep to the edges of that brilliant human spectrum, a dull shadow to their light.

Mournful — A Poem

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“Geese” — C.Birde, 1/17

 

Overhead,

wings spread to finger

updraft and lift,

they call —

And I cannot help

but try to count

the numbers

of their ragged “V”,

as if the sum

of beaks,

eyes,

wings,

feathers

would reveal answers

to mysteries

ever sought,

ever felt,

rarely

seen.

 

— C.Birde, 1/17

 

 

Down…and Out — A Dream

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“Down…and Out” — C.Birde, 1/17

 

One…two…three… Step after step. The stairs descend into murky darkness, leave the light behind. Grip the handrail, feel it move against the wall. Seven…eight…nine… Dark and darker. Step more carefully. Twelve…thirteen…fourteen…fifteen… On the landing, pause. Eyes slow to adjust.

The cellar is far larger than expected, stretching beyond the scope of available light into darkness. Note the evenly spaced support beams, erect and dark; stalagmites of steel. Step off the landing into that vast space. Poured concrete underfoot, smooth and unbroken. Navigate around derelict equipment and machinery, past crates and boxes stacked one atop the other, floor to ceiling. Move through the labyrinth. Trail fingers along wood and stone and rusted metal, each a subtle guidepost.

At the far side, another set of stairs. Crudely made. Purely practical. Boards and beams and sheets and scraps of wood hammered together. Climb. Five steps in all. Hands upon the door – push. Hinges creak, and the door swings wide, allows the night to spill in, cool and damp and sweet to breathe. Fill lungs. Shed tension.

Lamplight from without casts a gentle glow, scatters across the cellar’s interior. Prop the door open. Thrust the stepstool’s feet into the turf; wedge its back under the door’s handle. Light chases along the stool’s tubular metal frame and legs, along the yellow plastic seat and seatback.

Now, return. Back down the makeshift stairs and into the cellar. Easier to see now. Easier to retrace those many steps around makeshift rows of storage and antique paraphernalia. Easier, now, to navigate. To get in and get out again.

SunDog — A Poem

 

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“Josie in Sunbeam” — C.Birde, 1/17

That space —

just inside

the side door —

splashed with

January light…

Enough to lure

both cat and dog

to vie for

possession

of its gradually

narrowed wedge,

its bone-filling

memory,

of warmth.

— C.Birde, 1/17

Causeway — A Dream

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“Causeway” — C.Birde, 1/17

 

The bus idles in a shallow sputter compared to the ocean’s voice. Though I sit all the way at the back of the bus, I can see easily over the empty rows of seats to the front. My uncle sits behind the wheel. I’m astounded. He intends to drive us over the causeway. That narrow, paved road built on a raised ridge of sand that stretches perilously out into the ocean and uncurls out of sight over the great, gray expanse of shifting water. Doesn’t he remember the last time?

Perhaps he does not. Perhaps he doesn’t care.

Determined not to cry, I press my forehead against the window’s cold glass, try to stare past the hungry waves. The ocean stirs and mutters and threatens my resolve. When my tears come, they are near silent, wracking.

I remember.

Tires humping over asphalt. The ocean, lying in wait, in duplicity. Waves gathering, retreating, rearing up into the sky. Those peculiar shadows cast by roiling seawater – volatile, changeable, transparent, then opaque. Thunderous crash of those falling waves. Creak and groan of too-thin metal, caving. Delicate chime and tinkle of splintering glass. Understanding the ocean’s resolve as it tumbled limbs, sucked at flesh. Its intent of pulling all into its watery center.

Choking sting of salt water.

Rapidly, I blink away tears when I hear her voice, lift my head from against the window. Turning, I am surprised to see she sits a row or two ahead of me – my friend. She has taken up my cause, gently suggested a logical case for avoiding the causeway, for finding an alternative route. Her rationale is so tactful, so persuasive and balanced, my uncle soon agrees with its wisdom as if it had been his own all along. He cuts the bus’s engine and gets out his maps.

Meanwhile, my friend catches my eye and smiles. She has accomplished what I would certainly have been scorned and belittled for. The causeway’s threat – of being washed away, swallowed whole, drowned – is vanquished. My relief overwhelms me.