
“Sassafras” — C.Birde, 6/17
With our backs pressed
to the smooth, silver trunk
of the Beech,
We’ll sip sassafras tea
and decipher the patterns
of steam
scrawled
upon the fragrant
morning air.
— C.Birde, 6/17
“Sassafras” — C.Birde, 6/17
With our backs pressed
to the smooth, silver trunk
of the Beech,
We’ll sip sassafras tea
and decipher the patterns
of steam
scrawled
upon the fragrant
morning air.
— C.Birde, 6/17
“Fern Wood, Tourne” — C.Birde, 6/17
The crush and shout
of the larger world
persists
beyond these fringed,
green borders
where, time and again,
I return
to drink
the Wood Thrush’s tonic
of sung sunlight,
to feel
the fern’s frill-lipped
cool breath against
my calves,
to absorb the drum and patter
of rain upon
the woods’ sheltering
green canopy.
I come to cleanse myself –
of grief and pain and worry;
to drench myself
in green.
— C. Birde, 6/28/17
“Wooded Path, Tourne” — C.Birde, 6/17
“Reflect” — C.Birde, 6/17
Like rain falling,
f
a
l
l
e
n,
Memories collect
to dimple
the surface.
— C.Birde, 6/17
“Solstice” — C.Birde, 6/17
Seconds,
Minutes,
Hours –
The slow and certain accumulation
of six-months’ time
tilts the scales
in daylight’s favor.
Solstice of Summer.
Exultant and unaware,
we blissfully tread
the insubstantial
garment of our shadows,
as the Hours
Minutes,
Seconds
steadily
reverse
their
course.
— C.Birde, 6/17
“Out of Time” — C.Birde, 6/17
Dated. Faded. Dull. The hotel room, though clean, desperately needs an update. Carved, shag carpet. Once-modernist, flocked wallpaper. Matching coverlets spread over twin Formica beds. And red. So many shades of red – scarlet, crimson, burgundy. The room glowers, sullen and ruddy.
Across from the beds, an old television cart holds a large tube-style black-and-white TV. The set is switched on, and an old film flickers. Images of staircases cover the screen. Crossing and intersecting each other at impossible angles, each seems to have its own dimensional reality, similar to an M.C. Escher work. A woman, with tumbling long hair, dressed in long, dark gown descends one of the staircases. As I watch, my sense of origin slips. For a breath, for a moment – I am that woman, caught in a flickering black-and-white world, descending a shadowed staircase within a repeating landscape of tilting, dim-lit staircases. I clutch a handful of gown, lift it up to avoid tripping on the hem. I hear the soft tread of my slippers on the unyielding stone steps. I feel the weight of my hair.
Noise. A saving, sudden sound, and I am yanked back, find myself standing within the red room, staring at the television. During my brief…absence?… a repairman has entered. He has set his toolbox on the sunset, shag carpet at the foot of one bed, spread his tools across the other bed’s coverlet.
“Those old movies give me the heebie jeebies,” he says. “Especially the monster ones – vampires and werewolves.” He catches my eye and shudders dramatically. “Good thing you’ve got company…” He jerks his head approvingly toward the far wall and continues sorting his tools.
From that further, narrow wall, where there is neither door, nor window, a steady stream of people begins to enter. The small space is soon crowded with bodies and chatter. The last to arrive is a life-sized cartoon-style Popeye, complete with pipe, flexing bulging biceps and chewing spinach.
All the while, the television’s grainy images continue to flicker and snow.
— C.Birde, 6/17
“Green Summons” — C.Birde, 6/17
At their feet
lay a low, flowering carpet —
a green invitation.
Patiently,
they await
our
decision.
— C.Birde, 6/17
“Reaching” — C.Birde, 6/17
She flits
among the underbrush,
shadow clad in shadow.
He sings
in liquid, honeysuckled
light and borrowed notes,
songs un-repetitive,
unrepeatable.
A stroke of shadow,
she huddles
atop a nest of sticks and
grass and ribbons built,
like his song,
in careful,
r a n d o m
fashion.
Chasing
blue jay,
grackle,
awkward young starling,
he repels
any who come too near.
My name,
tucked beneath
their wings,
in their
throats and call —
I answer.
— C.Birde, 6/17
“O.C.” — C.Birde, 6/17
“Solomon’s Seal” — C.Birde, 6/17
After the long night’s
dancing
beneath the full embrace
of moon,
She hung her slippers,
— pendant —
from the arching bough
to bloom —
dew-stitched slips
of ivory.
— C.Birde, 6/17
“Our Blue Mother” — C.Birde, 6/17
Once,
we lead the way.
Now,
we’ve walked
away.
Our Blue Mother
grieves
for us.
— C.Birde, 6/17
“An Earful” — C.Birde, 6/17
…And then, that distinguished gentleman, with his unruly fringe of white floss hair, in his pert bow tie and professorial brown tweeds, gave an inarticulate shout. He began to list over against his will, despite his best efforts to remain upright and erect, pulled by the increased weight and drag of his rapidly growing right ear. The organ expanded –from the size of a tea saucer, to that of a luncheon plate, a dinner plate, until, at last, it exceeded the size of a tea service tray. The elderly gentleman flailed his arms in wide, wild gestures, drawn earthward in a fashion that demanded he balance on one leg. “The mice! The mice!” he cried out. And from the auditorium’s wings dashed several young men in dark blue suits brandishing tweezers and chopsticks. In a wave, they surged toward the professor’s side and maneuvered about his enormous right ear in complex choreography – some moved to the rear and grasped him about the hips and shoulders to prevent the aged man from falling; others leapt to his left side and applied themselves to his raised left arm as ballast; while those remaining drew their particular tools and, with obvious care and practice, inserted them into the enlarged ear’s broad canal and withdrew, again and again, compact wads of soft gray matter. The young men flung aside the accumulated mouse-like wads with flicks of their supple wrists.
And all who witnessed gaped, astonished and astounded and – while endeavoring to preserve the tweed-suited gentleman’s threadbare dignity – visibly appalled.