
“Falling” — C.Birde, 6/18
Each
single
separate
solitary
drop
slips
slides
surrenders
as one to
f
a
l
l
i
n
g.
— C.Birde, 6/18
“Falling” — C.Birde, 6/18
Each
single
separate
solitary
drop
slips
slides
surrenders
as one to
f
a
l
l
i
n
g.
— C.Birde, 6/18
“Longing” — C.Birde, 6/18
With ladder, broom,
and twine,
we train —
the vines and I;
together climb
toward light,
extend and weave,
tendrils seeking,
inch by precious inch,
height and purchase,
something solid
on which to cling
in our abiding
search.
— C.Birde, 6/18
“Kenmare Stone Circle” — C.Birde, 6/18
At the stone circle’s head,
amongst the strips and slips
and tags of paper
fluttering
in the Hawthorn Tree,
I set my wish —
Words scrawled
on a lined sheet folded,
shaped and creased —
A paper crane,
with a prayer for Peace
nested at its
heart.
— C.Birde, 6/18
“Eastern Chipmunk” — C.Birde, 6/18
Sitting
in restless light
I write — one, two, three lines…
Pause… and drop treats for the locals…
Repeat.
— C.Birde, 6/18
“Remember” — C.Birde, 6/18
Count
the shades of green.
Consider —
shifts of light,
and breeze-stirred
leaves…
Count again.
Again.
Until birdsong fills
that over-muscled organ
secured beneath
protective ribs.
Until the memory
surfaces —
This
is
the way.
— C.Birde, 6/18
“Honeysuckle” — C.Birde, 6/18
The air
so sweet in June,
perfumed, anointed in
mock orange and honeysuckle
bloom — breathe.
— C.Birde, 6/18
“Releasing Magic” — C.Birde, 6/18
All is dark. Claustrophobic. All but the unicorn.
Though caught in stone, the unicorn positively radiates — light and motion pulse through and over its rearing form. Its front legs churn the darkness, and its forelock, mane, and tail are caught and curled and tumbled by unseen currents. The tip of its scrolled horn reaches 10 feet high, and its dark eyes shine. Here and there, its paint is worn, burnished by the touch of admirers long forgotten. It is a magnificent creation, so extraordinarily lifelike, it must surely spring from the massive plinth on which it is mounted.
Few remember the unicorn. Fewer still see it — down here, so far below — and those lost souls that do, no longer bear witness. They have forgotten the unicorn’s splendor, have become immune to its beauty and magic. Clothed in their own tattered shadows, they shuffle past with the brims of their hats pulled down to shield against the unicorn’s light.
Work quickly. Wedge the pry bar beneath the broken stone floor and the plinth’s heavy base. Curl, bodily, over and grip the metal lever. Tight-fisted, teeth grit, sweating — lean fully against the bar’s length. Hear the gritty scrape and separation of stone and metal. Feel the dull-eyed gazes of shuffling passersby slew ‘round.
The statue shifts.
Heave again.
And again.
In full-bodied, sweat-inducing, gut-wrenching, necessary effort — heave.
Break the statue free.
Restore the magic.
Release the unicorn.
— C.Birde, 6/18
“Spurs” — C.Birde, 6/18
She wears
her curl-tipped
spurs
discreetly tucked
beneath her frock’s
hem —
just in case.
— C.Birde, 6/18
“Kenmare Lane” — C.Birde, 6/18
Ireland —
misted isle
of perpetual green,
slate-boned and
clad
in moss and fern and
wild foxglove,
beclouded
with sheep —
In Ireland,
I did not dream…
Ireland
was
the dream.
— C. Birde, 6/18