Golem — A Dream

“Aster” — C.Birde, 9/20

When

earth trembles &

that mantle of unmown grass –

lush &

green &

threaded through

with a purple fringe of wild asters –

separates from the soil of its making

to heave itself up up upright

on hindquarters of loam;

When

that vaguely humanoid shape,

soft-rubbed of keen features,

lurches with thick arms raised & sifting soil

to grope with blind,

blunted,

outstretched hands

like some unfathomably old

newly born golem of earth;

and When,

in umber-and-green-and-purple tide,

the shaken sward returns abruptly

to the soft mud of its recent birth

as if it never was…

Will its voiceless,

mossy,

desperate

roar have penetrated?

or will that thrashing cry have been dismissed

as dream?

— C.Birde, 9/20

Shaken — A Dream

“Broken Cell” — C.Birde, 8/20

Don’t shake it.”

He speaks in distracted manner,

as of one who grasps deep understanding

of such things as cell phones –

broken

that should not rattle & shift within themselves

with shivers of noise in enthralling fashion.

Don’t shake it.

But…

He said nothing of lifting it,

drawing it over lips, teeth, tongue,

feeling that seam incised in its length & sides,

of separating that seam so that gears &

circuitry & delicate inner workings

sift uniformly across the tongue,

crunch between molars, premolars, incisors,

move like coarse sand or grit or powdered glass

past pharynx & larynx

to scrape slowly, finally, at long last

d

o

w

n  

the trachea…

He said nothing of this.

Needless warning.

Uncalled for.

Implicitly

understood.

— C.Birde, 8/20

Depart/ed — A Dream

“Road” — C.Birde, 8/20

As in the way of dreams, two realities –

he has died;

he walks, straight and tall, beside me.

In death, two versions, also –

the one, all six-foot-tall of him rolled on his side

and bent in awkward, fetal curl,

hooked in blue-tinged dark to chirping, electric machinery;

the other, seated on ivory leather couch, in sunlight drenched,

a shotgun gripped, tripod-like, between legs and knees;

his long toes feel and finger the trigger’s curve.

In both cases, one consistency –

he is alone.

And yet,

and yet

Together we walk this long road of soft pale soil

that uncurls toward the huddled town below.

As that unknown hamlet slowly resolves,

he tells me of his death,

his dying;

of the messages he left for her

– the youngest –

to find.

Clues.

Scrawled in small, cramped hand on slips and scraps of paper,

neatly folded into white envelopes to be opened

– one each year –

on his death day’s anniversary.

We walk together, he and I.

I hear his voice — a rasp against my ear —

and the ocean’s waves that break themselves

against gray sea walls.

And, as in the way of dreams,

though separated by time, location, distance,

I see her

– the youngest –

in open room full of soft-lit windows;

see her lean against that same couch of ivory.

Though separated,

I see her finger run beneath an envelope’s flap and

break the seal.

Excitedly, she reads;

while he and I reach the outskirts of that sleepy town.

Here, the air smells of salt and sea.

Here, the wind finds my hair, my cheek.

And here, undeterred, he walks beside me;

but no longer does he

speak.

— C.Birde, 8/20

Together — An Image

“Wood” — C.Birde, 7/20

“Together,” she sang,

  “Always together. 

Regardless of where we stand.

  We walk together.

Hearts. Thoughts.

Hands forever at work.

Each act and choice and step

a kiss, a bruise pressed

to this precious skin of land.”

— C.Birde, 7/20